Vice / March 2015 (Strong Scene Productions)

SOURCE

We Spoke to the Guy Who Tricked the World Into Thinking That H&M Were Selling Neo-Nazi Metal T-Shirts

Henri Sorvali helped create an ingenious fake campaign poking fun at how metal subcultures are mass marketed.

So, the last 24 hours have been fucking weird. When I woke up this morning, it looked as though everyone's favorite source of cheap belts, H&M, had been sussed out for creating online profiles for a load of fake metal bands, peppered with the occasional bit of neo-nazi imagary, all in the interest of flogging some t-shirts.

In a news story that originally appeared on Metal Injection, and has since been reported by Fact, Complex and innumerable other sites, H&M had come under fire for potentially unleashing "one of the more ill-advised marketing campaigns in recent history."

They reported that H&M are currently selling a series of t-shirts with the logos of what appeared to be obscure metal bands on. However when you looked up the bands, they could all be traced back to a collective called Strong Scene Productions. If you visit their Facebook page, you do indeed see the band names from the shirts (MORTUS, MOTMROS, LANY, MYSTIC TRIANGLE et al) littered everywhere, alongside gig posters ($250-300 for an underground one day festival), biographies ("The purpose of Mortus is to serve the almighty Sathanas and spread the black semen of the holy goat onto all lands") and artwork that features a goth'd up version of the models featured above. But all of this was created en masse within the last week.

Metal Injection reported that some of these invented bands had ties with the National Socalist Black Metal scene—that is, to put it bluntly, raving neo-nazis. So, if this was all a marketing ploy by H&M, then somebody really, really fucked it. However, given that this time last year, H&M were forced to withdraw a line of vests featuring the Star of David with a skull in the middle following accusations of anti-semitism, the idea that someone from marketing sacked off the research aspect of their job once again didn't seem all that unlikely. Even so, something about it all didn't quite add up.
In now turns out, H&M had absolutely nothing to do with the making of these bands whatsoever. It was all a giant parody by those behind Strong Scene Productions who are, essentially, genuine metal fans who took one look at H&M's most recent “metal-inspired” items of clothing—complete with fake bands and patches that work from a brief of “generic heavy metal imagery”—and thought, "I'm done with high street chains badly commodifying my music." They decided to play a deep and brilliant joke on H&M, by actually creating the "bands," making them really right wing and then spreading them across the internet for the world to join the dots.

Henri Sorvali of Finnish metal band Moonsorrow/Finntroll is one of the people behind the idea. So, I got in touch to chat with him about the marvellous media shitstorm he helped create for one of the world's biggest retail outlets.

(Some very legit artwork for a totally real band, taken from Strong Scene Productions' Facebook page)

Noisey: OK real talk, Henri—do any of the bands on Strong Scene Productions actually exist?
Henri: No. Every single band was created on the basis of the patches in the H&M spring collection clothes.

Is this a backlash against the commodification of metal by mainstream retailers?
Partially, yes. But we also wanted to point out the fact that you cannot commercialize a subculture without actually knowing all the different aspects of it. Knowledge on your product is essential in marketing, and Strong Scene supports self-awareness and education for everyone on the matter. And no, I also haven't been hired for a job by H&M either, which the wildest rumors claimed!

This all seems like a lot of effort just to troll H&M. So the real question is, why bother?
The purpose of the group (consisting of literally tens of people from different areas of music and media around Scandinavia) was to create discussion on the fact that metal culture is more than just "cool" looking logos on fashionable clothes, and has many more aesthetic and ideological aspects in different subgenres than what some corporations are trying to express. The metal scene is varied, controversial and a sort of a wolf you can't chain into a leash and expect it to behave on your terms like a dog. Strong Scene as a collective has absolutely no political nor ideological intentions, and is only bringing the conversation to the level it should be discussed at. Think of us as the one-time "Yes Men" of metal music.

You're in a metal band yourself—Finntroll. Any connection between the subject matter on the albums (battling trolls etc) and the online trolling we see today?
While this would be a rather clever place to actually drum for Finntroll´s media publicity, this has nothing to do with that. You call this trolling, we call it cultural jamming. And Finntroll just kicks out the jams in other things!

Thanks Henri!

HeavyMusic.ru / March 2017

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  It’s been a year since the release of “Jumalten Aika”, and Heavymusic team came back to Helsinki for having a chat with the guys from Moonsorrow again. The secrets of promo photos, old Finnish traditions, the end of the world and more — have a read our exclusive interview!
          
        

          
          So how was the tour going for you?
          
          Ville: Excellent!
          
          Mitja: Yeah, very good! It’s nice to tour in Finland as we didn’t do a proper Finnish tour, just played some festivals, and then we started touring in Europe when the album [Jumalten Aika] was released, so finally we’ve been touring a little bit more in Finland.
          
          Have you received any kind of special treatment from the homeland fans? Is there any difference in mentality?
          
          Ville: I don’t know if it’s different, it was just really good. We got a very good response from the audience, maybe it’s because we don’t do this so often they don’t get tired…
          
          Or they just miss you so much because you usually play in other countries!
          
          Ville: I don’t know why actually.
          
          We’re sitting here like we did almost a year ago. The same place, nearly the same time…
          
          Mitja: Right!
          
          …but at that time we didn’t have a chance to look at “Jumalten Aika” booklet. Now after taking a closer look we can say that your promo pictures have definitely caught our attention. Can you tell us about its making process?
          
          Ville: It was Markus’s idea. He wanted to do this maybe because he doesn’t like us that much *laughs* He wants us to suffer. It was really painful to do. In a way it was fun. How did we do it?
          
          Mitja: We were in theatre with some kind of a pool of mud and dirt.
          
          So you were in a closed space, not outside, right?
          
          Mitja: Yeah, we were indoors.
          
          Ville: We weren’t really at the graveyard or anything.
          
          *everybody laughs*
          
          Mitja: It was fucking cold at that time of the year, so being outside and trying to dig ground for the hole big enough for the guys…
          
          Markus doesn’t dislike you that much!
          
          *everybody laughs*
          
          

          
          How did you feel with all that ground in your hair and even in your mouth?
          
          Ville: Dirty.
          
          Was it tasty?
          
          *everybody laughs*
          
          Ville: I was the one who had the dirt in my mouth, so I can tell you it wasn’t especially tasty. I wouldn’t use that word to describe it.
          
          You wouldn’t repeat that, right?
          
          Ville: No, probably not.
          
          *At that point Mitja shows us a photo of Markus lying on the ground in the pool half-naked*
          
          Mitja: So there’s Markus.
          
          He is trying to be so stoic…
          
          Ville: He doesn’t have to try to be stoic.
          
          Well, let’s move to the next question. Using of folk melodies has always been a strong feature of your music. Do you in some way rearrange any old Finnish melodies or do you write your own stuff?
          
          Ville: We’d like to think that all those melodies are originals, and that we’ve come up with them. Of course, there’s only a certain number of ways how you can combine these a few notes that are used in traditional Scandinavian music, so every melody sounds a bit like the next melody in a way, but we don’t use melodies that are known as traditional or anything. We try to come up with the new ones.
          
          The new ones sound like the old ones, and it’s really good! Ok, now I want to ask you about phenomenon which can be called “blood memory”. It means a special state of mind when you suddenly feel like traveling back in time and looking on the world with your ancestors’ eyes. Have you ever experienced such a feeling and if yes, what was the reason for it?
          
          Mitja: A good question. I don’t think I have. I tried to, but I don’t think it really happened to me. Although many times I try to depict in my head how things were before and so on, but I haven’t had any experience like this.
          
          Sometimes when you’re listening to music, you can imagine all this stuff they sing about and sometimes it just happens…
          
          Mitja: Well, when I usually listen to the music I see some kind of landscapes and colors but nothing very concrete.
          
          Ville: When I was writing the lyrics, I really tried to see the world with my ancestors’ eyes, but of course it’s a bit difficult, because the surroundings are totally different. Those people didn’t use to live in the cities, for example. They didn’t have running water or electricity or anything.
          
          How about escaping to the forest?
          
          Ville: I was doing some inner research in forests and Arctic areas, but that’s a different story.
          
          Ok, it will be the question for the next interview! Do you have any favorite Finnish traditions or customs?
          
          Ville: Drinking.
          
          Mitja: Customs?..
          
          *At that point our interview is interrupted with a loud “Whee!” from Marko who is riding an equipment trolley driven by one of the technicians. They say “Oh, you’re having an interview! Sorry!” and zoom off. Everybody laughs*
          
          Mitja: I would say… Just fishing *laughs* It’s not really a tradition, but…
          
          Ville: It’s not really a tradition, because it was crucial for quite many people’s living back in those days. You had to fish to get something to eat. Nowadays it’s just a hobby, because other people fish for us, we just go to the supermarket and buy that fish, and it’s actually pretty sad.
          
          The nature has always had a great influence on your music, if not to say the greatest. What do you think modern people should learn from the nature?
          
          Ville: Respect.
          
          Mitja: Yeah. Respect and I think it would be good to anybody to go in the woods by yourself completely alone and stay for a couple of nights with yourself and nature. It teaches you a lot about yourself usually.
          
          Ville: And I think people should definitely understand that even though we have all these big cities, we have these supermarkets that stock the food for us, we have smartphones and everything, we still totally and mostly depend on the nature. All these parts that are used in the smartphones *nods in the direction of smartphones recording the interview* come from the nature originally. So we’re just kind of visitors here. If we fuck up the planet, the planet doesn’t care, I think, but then we fuck up ourselves. People should really understand that before it’s too late. It’s not supposed to be a lecture or anything but that’s what just came up to my mind.
          
          You have developed two concepts of the end of the world on your albums. It will die in the fire or plunge into eternal cold according to “Hävitetty” and “Varjoina Kuljemme Kuolleden Maassa” respectively. In your opinion, what will be the real end of the word?
          
          Ville: Stupidity. There are lots of possible scenarios, I don’t think if it’s actually gonna happen but… It’s not gonna happen during my life, I hope. People will eventually reeducate themselves.
          
          Mitja: Yeah, people are lucky enough to live until they do, but I think some asteroid will destroy our planet before we can do it.
          
          So it can be better for us than dying from our own hands…
          
          Mitja: I don’t know if it’s good for anything but... I hope it’s gonna happen soon, maybe tomorrow.
          
          Ville: It would be good for the other life forms on this planet, if we get rid of ourselves, but I’m not gonna get rid of myself, I don’t need that. Some things have gone a bit out of hand.
          
          

          
          Can you guys compare yourself with any kind of nature phenomena?
          
          Mitja: What do you mean?
          
          Anything like rain, storm, snow, Northern lights… maybe rainbow?
          
          Mitja: *laughs* Ok, we’re rainbows…
          
          Ville: I would like to be a stone. They are quite cool. They don’t really disturb anyone.
          
          Yeah, just lying on the ground…
          
          Mitja: Growing some mold…
          
          *everybody laughs*
          
          Ville: Unless there’s a landslide. Then they disturb quite a lot.
          
          Mitja, what about you? Rainbow was your first answer…
          
          Mitja: No-no-no…
          
          Ville: A unicorn.
          
          Mitja: Yeah, a unicorn. *laughs* No, I would say… mist.
          
          Nowadays many people think it’s important to have a warrior spirit. With regard to all events which are happening in the world what’s your opinion about that and do you consider yourself as warriors?
          
          Ville: No.
          
          Mitja: Not really. You need to have some stamina to go through everyday life, but I don’t value people who are over-aggressive and take whatever they want.
          
          Well, it’s maybe about defending their own interests and even overcoming yourself every day, doing something you don’t like to, but you have to…
          
          Mitja: Yeah, when you need to take stuff in your hands then of course, not just physically but in general. But I value wisdom more than being just a fighter.
          
          Ville: I think that’s one of the most important features of human kind that we actually have, if we want to. We have the ability to coexist and make compromises that benefit everyone. In theory.
          
          This year marks a centenary of Finnish independence. In order to commemorate this event one web-site called musicfinland.fi has made a special playlist which includes one hundred songs of different Finnish artists who has made bright and lasting international impression. Unfortunately, no Moonsorrow songs were included…
          
          Ville: I haven’t checked the list.
          
          …so if you could choose one song to be in this list, which song would it be?
          
          Ville: That’s a very good question.
          
          Mitja: I would choose “Tulimyrsky”.
          
          Ville: Yeah, because it’s the longest.
          
          The next question might be a tricky one, but we want you to be honest. Does Moonsorrow give you enough space for artistic expression, or do you sometimes feel the need to bring your material to any side projects?
          
          Ville: So far it has for me. I don’t really feel a need to do something else. I might do something else now and then just for fun, but I don’t think Moonsorrow limits my artistic expression.
          
          Mitja: Yeah, we all write all kinds of material and every material has its place somewhere, not maybe in Moonsorrow, but we want to write some Lakupaavi [punk/grindcore side project including the members of Moonsorrow] stuff definitely not under Moonsorrow’s name.
          
          Well, it must be continued!
          
          Ville: But no one knows when.
          
          Mitja: Time is also limited. I find it extremely difficult to find the time for other projects, and when I do, it’s always battle against time schedules and stuff.
          
          What kind of projects do you do?
          
          Mitja: Well, I have an old band called Shadow Cut, and we tried to make some new songs but... it’s impossible to find time for it. I have some ideas for other projects, but it never happens because nobody finds time.
          
          Do you at least have any volunteers to help you with this or do you do everything by yourself?
          
          Mitja: Yeas, it’s always with other people. I am not good enough with the computers to make music by myself, it’so slow. After seeing how Henri [Sorwali, the mastermind of Moonsorrow] works and how he can by hands play just drum kit in one minute, and then all the instruments in few minutes, while I’m still trying to struggle with the kick drum, not even be able to make a complete drum feel for one song.
          
          So no majesty of Burzum or Falkenbach for you?
          
          Mitja: *laughs* No.
          
          And now we have two special questions. The first is for you, Ville. Which part of being a musician excites you the most: playing the instrument, writing the lyrics or doing the vocals?
          
          Ville: All of those, really. I’m in a very different mood in all those different aspects. When I play the show, I’m in the mood for playing the show, when I do vocals in the studio, I’m in that mood... I enjoy all of that in a very different way, I can even compare it, I’m really sorry.
          
          The second question goes for you, Mitja. According to some pictures, which have been made during the shootings of “The Home Of The Wind” documentary, one of your hobbies is sailing. Can you tell us more about it?
          
          Ville: And sinking ships…
          
          *everybody laughs*
          
          Mitja: Yeah, I own a really old wooden boat with a friend of mine. It’s great to have it during the summer because Helsinki and the archipelago around us are really beautiful, and just in a few minutes you’re in a completely different environment. The ocean is a very interesting element for me, it’s quite scary and beautiful and all things at the same time.
          
          Ville: And the constant threat of drowning…
          
          Mitja: Yeah, it’s always there.
          
          Ville: It really puts you in perspective. Man versus the nature.
          
          Mitja: In my case it’s usually man versus the engine.
          
          *everybody laughs*
          
          Is it that old?
          
          Mitja: Yes. It’s from 60s and the engine looks like… it needs a lot of maintenance this summer, or I’m really gonna drown.
          
          Well, retro style is quite popular nowadays.
          
          MItja: Yeah, they don’t do boats like this anymore.
          
          Ville: I wonder why…
          
          Mitja: I too wonder why, because…
          
          Ville: It’s a nice boat.
          
          Mitja: Yeah, it has spirit. When it’s old and made of wood, it’s so much better to sleep and better to look at compared to fiberglass boats.
          
          We have mentioned the making of your documentary. What is its current state, have the shootings already been finished?
          
          Ville: Yeah, the main guy behind it has just mentioned that now he’s finally finished with all the material. Let’s see!
          
          Mitja: Yeah, it’s in the editing phase right now. He shot the previous week, they came to Tampere to shoot some material, and I’m delivering them some old footage as well, so they started to edit it. I guess they’ve edited some parts already.
          
          Great news! Can’t wait to see the result!
          
          Ville: Me neither.
          
          And which part of the shootings you liked best?
          
          Ville: I only did a couple of interviews so I gave a lot of background information but I wasn’t filmed during that. Interviews and all of that were really nice, they had good questions, and obviously they made a good background work. It was really nice to work with people who know what they are doing and know what band they are dealing with.
          
          Mitja: It feels sometimes like they know the band better than we do.
          
          Because probably you’ve already forgotten some things.
          
          Mitja: Yeah, yeah.
          
          That’s the fan’s nature, I guess, to know everything and even more…
          
          Mitja: But it was strange when every time they asked me to talk about paganism, it always started raining. We had a session on an island, and just when I was starting to answer their questions it started pouring down like hell. The next day we went on a hill and when I was just about to start again, it started to rain.
          
          So you aren’t the mist, you’re the rain!
          
          Mitja: Yeah, right.
          
          Or maybe you have some secret knowledge which is not meant to be shared…
          
          Ville: Or it’s so crappy it shouldn’t be shared.
          
          And now here’s our last question for today. What is the most peculiar thing you can’t live without while being on tour?
          
          Ville: Hmm, let me think… *after a long pause* I don’t have any esoteric artefacts in my bunk in the bus…
          
          Mitja: I do.
          
          Ville: I just have my music I listen to, that’s it. I don’t even have books. I have one book on this tour, but I’ve already read it before the tour, so I just lent it to other people.
          
          What was the book?
          
          Ville: It was a very short book about an American tour from the prospective of a roadie. It was really short and I actually read it. I bought it for the tour, but I actually read before the tour.
          
          Mitja: Well, I don’t really need many things. It happened to me once when all my possessions were stolen from the bus, with all my clothes and stuff. I did have my wallet and phone in my pockets, but everything else I lost. As long as somebody provides you with drinks and food, then I’ll be fine. It was horrible to be in the US without clothes, because when we arrived to Hollywood my clothes looked horrible. It was so dirty after two weeks of touring, and I thought “Ok, I’m gonna go and buy some new stuff from H&M”, but they were closed. It was Sunday or just the late hours, and the only shop that was opened was Armani shop…
          
          Ville: Yeah, in Hollywood.
          
          As long as you have a good credit card you’re fine.
          
          Mitja: I’ve bought Armani sweater and shirts and stuff, and it cost like hell. It was like a completely different person when I came back to them.
          
          I bet you made a lot of fun on him!
          
          Ville: He doesn’t really have to dress up differently for us to make fun on him…
          
          So that’s it! Thanks for the answers and have a good show tonight!
          
          
          Questions: Olga Degteva, Maria Meledyakhina

Metallus / March 2016

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Moonsorrow: “L’Età Degli Dei” – Intervista a Ville Sorvali

By Tommaso Dainese e Fabio Meschiari aprile 1, 2016 // 11:52 am

Forti della prossima pubblicazione dell’album “Jumalten Aika”, letteralmente “L’Età Degli Dei”, abbiamo raggiunto telefonicamente Ville Sorvali (basso e voce) per parlare di questo album e di un gruppo che arriva a quindici anni di storia mantenendo una coerenza invidiabile.

Ciao e benvenuto su Metallus! Grazie mille per il tuo tempo. Come stai?

Molto bene, grazie! Figurati, è un piacere.

Sono passati cinque anni dal vostro ultimo disco prima di “Jumalten Aika”:cos’è successo in questo lasso di tempo?

Beh, è che siamo dei pigroni… Abbiamo cominciato a lavorare a questo disco nel 2012 ma ad un certo punto abbiamo capito che il materiale che avevamo composto fino a quel momento non ci andava più bene quindi abbiamo ricominciato da zero, dopo un break per trovare la direzione giusta. Siamo arrivati nel 2014 capendo che le canzoni che stavamo componendo erano quelle giuste, ciò che volevamo.

C’è un forte legame fra questo “Jumalten Aika” e i primi dischi, più di quello che c’era fra gli ultimi dischi e i precedenti. Cosa puoi dirci a riguardo?

Volevamo fare un album più grezzo ed energico, ma volevamo anche evitare di comporre un unico lungo brano. Volevamo comporre cinque canzoni diverse fra di loro, di modo che le singole canzoni potessero essere ascoltate e apprezzate anche in modo singolo, non necessariamente inserite nel flusso dell’album.

Penso che il black metal sia ancora forte e chiaro nella vostra musica: ti chiedo cosa è per te, artista, il black metal al giorno d’oggi?

Ci sono tanti elementi satanici nella nostra musica ma non solo per questo può essere considerato black metal. Siamo tutti cresciuti col black metal degli anni ’90, quello originale, che è stato importante per tutti noi. Direi che il black metal sia qualcosa di emozionale che non puoi spiegare a chi non sa cosa sia il black metal: io ci ho provato e credimi quando ti dico che è inutile. O ti tocca dentro o non ti tocca c’è poco da fare.

Leggendo la press release ho trovato una frase che mi ha molto colpito e che dice “successfully avoiding the stereotypical “It’s party time!” kind of folk metal”. Pensi che sia stato fatto un uso troppo disinvolto degli elementi folk nella musica metal?

Quando si è iniziato a proporre folk metal, subito molti gruppi hanno iniziato a riprodurre in modo abbastanza sbrigativo quello che inizialmente era un approccio originale al metal e alla musica tradizionale. Il problema fondamentale è che ci sono un sacco di band che non hanno propri pezzi originali ma tende a copiare in maniera sterile altri gruppi. Per me è fastidioso il fatto che questi gruppi non vogliano proporre un loro sound personale e che utilizzino questo approccio “It’s party-time! folk metal”. Non vogliamo essere accomunati a loro: abbiamo usato alcune melodie folk più accessibili e allegre in tre album e probabilmente abbiamo contribuito anche a creare questo mostro di folk metal. Ma siamo stanchi di quello, vogliamo fare qualcosa di diverso, senza comunque rinnegare la strada che abbiamo intrapreso anni fa.

Parlando del disco, potresti parlarci dei testi di questo nuovo lavoro?

Volevamo costruire le storie dell’album basandoci su miti esistenti ma senza ricalcarne esattamente la storia che tutti ormai conoscono. Ne abbiamo preso degli elementi, li abbiamo interpretati e abbiamo costruito delle storie attorno ad essi. Penso che il tema generale di questo “Jumalten Aika” sia il tempo in cui gli umani cominciarono a chiedersi e a spiegare cosa succedeva intorno a loro, specie dal punto di vista dei fenomeni naturali: qui è quando crearono gli dei e gli dei diventarono parte dell’umanità.

Parliamo un po’ delle canzoni. Adoro la title-track, con le sue tastiere che riportano alla mente il sound black metal degli anni ’90: era il vostro proposito?

Hai assolutamente ragione, sai? Volevamo cominciare il CD con qualcosa di classicamente Moonsorrow ma che poi cambiasse molto repentinamente. Ci sono sicuramente molte influenze di quel tipo di black metal. L’inizio è quasi allegro e rassicurante ma poi all’improvviso qualcosa di malefico spunta da dietro l’angolo

La mia canzone preferita è la seconda, “Ruttolehto” , specie per la sezione centrale, molto d’atmosfera…

Quella sezione del brano rappresenta una sorta di trance sciamanica, qualcosa che non avevamo mai fatto prima. Ecco perché abbiamo chiamato Jonne Järvelä dei Korpiklaani quasi come fosse un reverendo per officiare questa cerimonia: siamo molto soddisfatti del risultato finale.

Un altro brano che adoro è la finale “Ihmisen Aika (Kumarrus Pimeyteen)”, con quel suono potente di batteria, epico, che mi ricorda qualcosa di classico come i Cirith Ungol e i Manilla Road: ci sono legami con questa musica degli anni ’80?

Il principale compositore, Henri (Sorvali) non ascolta tanto quel genera di musica ma di sicuro la conosce. Siamo arrivati a un punto in cui sapevamo di voler includere dell’heavy metal nell’album: il classic heavy metal (non il power) è ciò da cui tutti noi deriviamo e ciò da cui tutte le sottocategorie di metal derivano. E’ stato come fare un tributo al classic heavy metal.

Nella limited edition ci sono un paio di cover (“Soulless” dei Grave e “Non Serviam” dei Rotting Christ): perché queste canzoni?

Le abbiamo scelte spontaneamente il primo giorno di registrazioni in studio perché sono canzoni importanti per noi: siamo stati influenzati da questi gruppi prima che i Moonsorrow nascessero. Sono canzoni grandiose e volevamo rendergli il dovuto rispettoso tributo però trattandole alla maniera dei Moonsorrow, ovviamente, che significa portare il sound originale al nostro livello.

Avete prodotto il disco: cosa puoi dirci riguardo questo processo?

La maggior parte della produzione era stata fatta prima della registrazione: quando scriviamo e arrangiamo le canzoni ci immaginiamo già come devono suonare i vari elementi così, occupandoci della maggior parte delle cose prima, in studio possiamo dedicarci soltanto a usare strumentazioni professionali per ottenere il meglio da ciò che suoniamo e riprodurre la musica arrangiata che avevamo sui demo. Non so da dove vengono tutti i dettagli del suono che abbiamo sul disco ma è ciò che avevamo in mente prima di incidere e questa è la filosofia dei Moonsorrow nel 2016.

So che sarete in tour coi Korpiklaani in aprile: vi vedremo anche in Italia?

Ho appena controllato e sfortunatamente stavolta non passeremo lì da voi: penso che nel prossimo tour o per qualche festival ci sarà l’opportunità, spero. Il problema è che il tempo è sempre tiranno e noi vorremmo venire in Italia perché abbiamo molti fan lì e ci piace il vostro pubblico.

Il vostro primo disco, “Suden Uni”, è uscito quindici anni fa e secondo me è stato chiudere un cerchio, per quanto riguarda il sound, con questo “Jumalten Aika”: come puoi descrivere la vostra evoluzione di sound e della band da quell’album ad ora?

L’evoluzione che abbiamo avuto era impensabile, ai tempi, perché ogni volta che registravamo un album dimenticavamo ciò che avevamo fatto in precedenza per concentrarci su ciò cui stavamo lavorando in quel momento. Ci sono stati drammatici cambi di sound come per esempio fra “Kivenkantaja” e “Verisäkeet”: due album completamente differenti. Penso che l’evoluzione principale sia stata arrivare a canzoni atmosferiche, epiche, dalle molte sfaccettature riuscendo poi però a ripulirle da tutte le cose non necessarie.

Quali sono le sfide e le difficoltà di suonare dal vivo canzoni così lunghe?

Prima delle prove per i live dobbiamo sempre compiere molti ri-arrangiamenti: pensa che in alcune canzoni ci sono 100 tracce separate ma le persone sul palco sono comunque solo 5 perciò è problematico. Considera che non vogliamo usare assolutamente delle basi. Ci siamo dovuti rendere conto di quali sono le melodie e le parti essenziali ed importanti delle canzoni e i suoni di tastiera che fanno rendere la canzone. Un lavoraccio, ma alla fine devi memorizzare la canzone in questa maniera e questa posso dirti che è la vera sfida, portare on stage queste canzoni.

Grazie mille. Puoi lasciare un messaggio ai fan italiani!

Scusate per il tempo trascorso dall’ultimo album e per la nostra prossima mancanza in Italia durante il tour ma prometto che verremo presto da voi e che i Moonsorrow vi amano. Grazie mille.