Spirit of Metal / September 2012

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Interviews Moonsorrow - September 2012 “Well, really, when we started the band we had a goal in mind: to have a record contract, someone who is actually paying for the making of the album and releasing it. We got that! Then, we got some shows here and there. And then we were thinking like: it would be nice to tour… it grows all the time, in our own heads. But, fundamentally, we are happy that we got the first record deal. Everything else is just bonus.”
Check out the chat that SOM had with Ville Sorvali (bass and lead vocals), Marko Tarvonen (drums) and Markus Eurén (keyboards) from Moonsorrow!!!

You guys will be playing tonight with Korpiklaani, Metsatol and Tyr. This is an incredible lineup. Was this planned between you guys (the bands) or was it planned by “management”?
Ville: Blame the manager. No, no… seriously, we don’t really make those decisions but it is always nice to tour with people who are actually friends and not just “other bands”.

Marko: Korpiklaani was about to do this tour and we were invited as a direct support for them. We said: “Yeah, why not?” We’ve been together for many tours before. It is a good combination, really.

Ville: It is the fourth tour [we do] with them.

April 2010 was the last time you had toured North America. How much has the band changed in between these couple of years? Do you feel like you have grown since then?
Ville: We party less… we are getting old (laughs). I can already see that.

Marko: And we have new material out to play in the States, we have a new album. Well, actually, it is not out in the States because the record labels fucked up the whole American release. It is only available in iTunes and that’s a very sad thing. We really can’t do anything about it because it is about the corporate and stuff like that. We kind of got into the crossfire of two different labels and the new one, Century Media, was willing to put our latest album out for this tour, in the States but the previous one, Spinefarm, somehow fucked it up with the licensing contract, blabla… It is all legal stuff…

Ville: The business part of it…

Marko: But, as for your question of what has been changed from the previous tour, it is really nice to play the new material here and to actually see the people liking it. It doesn’t necessarily matter if it’s released physically or not; people are downloading it and stuff, and they are still coming to the shows, buying t-shirts. So, it is very cool to see that we still have a growing fan base over here.

The other side now: Has your fans and public in general changed since last time?
Ville: I think that the turn outs are increasing tour by tour. People get to know us and tell their friends.

Marko: It’s better than with Finntroll [previous tour in North America]. Actually, somehow, it is more fanatic during this [current] tour, the moshpits and everything…. it is more intense.

Markus: It is because of the set list (laughs).

Marko: Well, we really tried hard to put on a set list that kind of “moves” people, actually.

Ville: That actually has everything… we have two songs of the new album that takes half of the set already… (laughs)

Marko: It is always really hard to pick the songs from the past catalog that “fits” with the new songs, together. I think that the set list that we’ve been doing on this tour is working very well.

Ville: Yeah, it’s working.

From 70000 tons of metal to label change. This year has been a “big” one for you guys. Any new big things coming up until the end of the year?
Marko: No… when we finish this tour we still have one occasional festival concert in Holland coming up in October but after that there’s really nothing. I think we have to prepare for the new material…

Ville and Markus: Yes.

Marko: That’s always…

Markus: …challenging.

Marko: A big challenge and a big discussion!

Ville and Markus: Yes! (laughs)

Ville: We have been touring for this album for one and a half years now.

Marko: Quite many shows…

Ville: [It is] better to start concentrating on new material soon…

All or most of you guys have side projects. How do you split your time in between these projects and Moonsorrow?
Ville: It is quite easy. The word “side” project already involves the concept of priority. Actually, none of us is spending time in other serious bands except for him [he points out to Marko] and Janne [Perttilä], who are in Barren Earth. The other ones just have projects. Pro

jects can be done at anytime when you are not playing with your band.

Marko: And personally, I think that we are spending more time with our personal lives than on the side projects; our personal every day life, going to your “normal” work. That takes more time out of Moonsorrow than the other bands because we don’t get paid so well for this [playing]. So, we cannot afford to quit our day jobs. It’s [just] like that…

Is it too hard to have your day job and the band?
Marko: It is hard and it is not… it depends. At the moment, I have this “alternation leave”, that we have in Finland that allows me to take, for example, 6 months off from work to do touring. But, it is not every year it is like, after 10 years working history behind you, then you can apply for this leave, which I did, and I got it, and I’m really happy about it.

Now, I have been able to tour 3 tours with Moonsorrow and one with another band. So, it is kind of cool to spend a little bit more of this “rock n’ roll life style”. (laughs). But then again, on October 1st , I need to go back to work and have the normal daily routine again.

You have mentioned that you have changed labels (from Spinefarm Records to Century Media). How big is this change for you guys?
Ville: We haven’t done anything with them [Century Media] yet so, it is hard to say. It seems that we have a very good relationship already, on a personal level. They were interested in signing with us. We had a couple of meetings before even talking about the contract. They were just like, trying to figure out where we stand. I’m really happy with that. They came to shows and just wanted to meet us.

Markus: Like yesterday, we met for the first time their US staff.

Marko: And also some friend’s bands like Finntroll, Insomnium and Turisas: everything that we’ve heard from them about Century Media is positive. So, that’s something we can trust on.

You mentioned earlier that you are planning to start working on a new album. Any ideas of what directions will be taken for this next release?
Ville: Yes and no. We’ve been in discussion about it, but…

Marko: Like [I] said: it is a big discussion first and then it is a lot of work.

Ville: The point where the direction of the album is actually determined is the point when you actually start writing it. When we have the first material at hand then we know where it is going.

So, when can your fans expect the new album? Any idea?
Ville: Before 2020 (laughs)!

Marko: I think it should be out the end of next year/early 2014.

Markus: Yes, something like that.

Marko: Something we don’t want to do is to work with schedules. We hate the schedules, we hate the record labels setting certain dates that: this must be finished until this date. There’s when usually things get fucked up, like on the last album, the German release got fucked up because the schedules went wrong. It wasn’t our fault, we delivered everything on time, but labels fucked it up in the end.

Ville: They didn’t communicate.

Marko: They had a schedule for us and we delivered everything by the schedule but in the end they fucked it up. So, what is the point of having those schedules?

Ville: And the thing with Century Media is that already, at the early stage, our artist and relation person told us that he know our band very well (he has been following us since the beginning) and he knows that we don’t work with schedules and he respects that. So, he is not pushing us to make a new album like, right now. He accepts that the new album will be ready when it’s ready.

About these schedules: could they hurt the creativeness of the writing process, in case you get closer to the due dates? For example, the time you had the schedules with Spinefarm?
Ville: Actually, in truth, I wouldn’t like to be talking shit about Spinefarm. They didn’t make those schedules, we made them. They just asked us to make “A” schedule. We told them that we needed time and they also respected that.

But talking about anybody: if someone asks you to set-up these schedules and you end up getting tight, would you have to sacrifice the creativeness because of that?
Marko: Not for the music. Usually, if we have to sacrifice something it’s the promotion mainly and maybe some parts of the cover art or something like that.

Ville: Yeah, because the schedules are made so you have the product in your hands at least 3 months before the release so, you can have to promote it. If we set these schedules in stone, which we always have to do in the end anyway, if we delay the finalizing of the product then the times is taken off from its promotion. We don’t sacrifice the music.

Markus: No… never.

Marko: We hardly book the studio before the album is written.

I know this question is the basic standard one but I can’t resist! I have to ask you: you guys have been growing so much the past years, getting more and more known around the globe. What is your personal goal out of this? What would be your ultimate goal that would make you feel as you are an accomplished musician?
Ville: Well, really, when we started the band we had a goal in mind: to have a record contract, someone who is actually paying for the making of the album and releasing it. We got that! Then, we got some shows here and there. And then we were thinking like: it would be nice to tour.

Markus: [It would be nice] to do some gigs out of Finland.

Ville: Yeah… outside Finland. Then we got that. Then we started to think about touring and then suddenly we got a booking agency, we toured Europe a few times…

Marko: And somehow we got some money and that was the turning point (laughs).

Ville: Yes. And then, after touring Europe a few times we thought: “It would be nice to tour outside Europe as well”. And then we got an offer to do an American tour. We came here, did that and then we said: “We want to come back here again! And actually we want to see some other places than Europe and North America!” Then we got an offer for Japan and China. And now, we are talking about other continents then these 3… it grows all the time, in our own heads.

But, fundamentally, we are happy that we got the first record deal. Everything else is just bonus.

Marko: In the end, if this was supposed to end tomorrow, we would still be happy that we got the first record deal.

Ville: Yeah… especially that (laughs)… they screwed us over so bad!!

Marko: Seriously, we are very down to earth we don’t have big plans…

So, it is milestone by milestone…?
Marko: Day by day…

Ville: Whatever happens, happens…

Marko: There are other people who may have some schedules and big plans for us. Well, they may discuss about them… we are all ears but, we are very good saying “No” to things. We have always been…Since the beginning, we were offered so many bad tours. For 5 years, we were offered such bad European tours we just had to say no.

Ville: We just had to wait and see if somebody would come up with a reasonable offer and we did that. We basically did the ground work with only a few shows here and there.

Marko: And I think we were very wise with that decision, to not take part of those crappy tours.

Ville: Yeah, because we would still be in debt if we did 2 or 3 of those tours. It’s what it costs.

Any messages to the SOM readers?
Ville: It is always pretty hard to answer this question because I don’t really have “last words”, I have so many words to say before I die so, I would’ve like to finish it here (laughs).

Marko: Kick ass!!! Drink “metal” (laughs)!! Freeze hell! Come to the shows! Have some good time with Moonsorrow, we are very friendly and nice and… come to see us after the shows and have a party.

Ville: Offer us some alcohol!!!

Marko: Cheers! (laughs) We are able to drink all your money!!! (laughs)

>

Interview done by Deesse_de_la_nuit

Riding Hellwards Newsletter / May 1999

This interview comes from what we probably can call the smallest fanzine in history, with only 2 pages, featuring 3 interviews in total. I was going to cut out the Moonsorrow one and post it alone, but since it's so little, I decided to upload the two scans in full. These, by the way, were recently scanned by Henri himself, and shared online by Velkaarn, whose blog Asmodian Coven (linked below) you need to check out instantly if you're interested in rips of ultra-rare demo cassettes and similar stuff. This micro-webzine came together with a compilation tape which is also available for download in the blog. Thanks a lot!

Link: Asmodian Coven

Update: Now, two days later, I realized that this one was already posted here. However, I'm leaving both: the other one is easier to read, but having the scan of the original document has an added value, don't you think?

Click to enlarge.

Hel Rocks / September 2014

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September 13th, 2014 right before the band's longest concert ever, in Helsinki.

No really long songs this time: Moonsorrow talk the new album, inspiration and staring at vinyls

Posted on October 7, 2014 by Nikky Holmes in Backstage, Videos // 0 Comments

We tracked down Ville Sorvali and Mitja Harvilahti from Moonsorrow before they played the longest live Moonsorrow set ever in Virgin Oil Co this September. Sitting outside in the dying light of the day, editor Rachel Roth set to trying to find out how the new album is going. Some time markers:

• The album writing process & inspiration: 3m50s
• Moonsorrow’s sound and Paganism: 6m45s
• Touring, Live shows and Laziness: 9m30s
• The success of the Finnish Folk Metal scene: 12m30s
• Replacing furniture with the Blood Music box set: 14m35s
• First band shirts: 18m45s

TRANSCRIPT (edited for readability):

I’m Rachel with Hel Rocks, and we are here with Ville and Mitja from Moonsorrow. We’re going to have our signature Having a Pint interview without the pints today, but that’s ok. I think we’ll live.

Mitja: Yeah, I think so.

Ville: We have just changed our habits, we don’t drink anymore. This is proof.

That’s terrifying, I can’t handle that, I need to leave now. So we’ve been hearing that the new album’s had some delays, and we drew the conclusion that you guys aren’t really willing to compromise on what you’re putting out so we have to ask, what is Moonsorrow all about for you? What’s this next album going to be all about?

Ville: You actually answered the question, while asking it.

I did?

Ville: We aren’t willing to make compromises.

How do you think that’s going to come across?

Mitja: Well at the moment it’s coming out great. We had a lot of delays, and also we had to ditch a lot of ideas and songs. A lot of material was erased that we had already written. It took a long time to find a direction and we still are working on it. It’s something that’s going to be tweaked until the very end of the process but, it’s coming good now.

So you feel like you’re making those big steps that are necessary.

Ville: We have some good stuff coming.

Awesome. Can’t tell us any little sneak peeks?

Ville: No.

 

OK. Fair enough.

Ville: But it’s not going to be those half an hour songs.

Oh, that’ll be a change. Henri mentioned a while back that Moonsorrow was never meant to be a household name. How has the success you’ve had kind of contradicted that?

Ville: I don’t think it contradicted it in any way. Any success we got just happened. We didn’t really aim for anything else than creating the best music possible.

Mitja: It’s a thing that I actually really like about our so called success, because it’s kind of honest. We never marketed the band to be able to go to Japan or America. Everything, all the demand, came from outside instead of us pushing us all the time. Of course when we switched to a bigger record label and booking agency and managers, then people are working for you and trying to make the band more visible. But the groundwork was done just by demand from the people who like our music.

Was it kind of a big surprise though? From when you initially started out?

Ville: Kinda, yeah. To start with, our lyrics are in Finnish. When we got the first offers from abroad, it was quite amazing. We were just thinking like, ‘someone actually listens to this outside of Finland?’ and they want us to come there and play.

Do people like sing along at the shows?

Ville: They try.

Mitja: In some countries they really can sing along like in Hungary for example, at least at some point, they really knew the lyrics but there are a lot of mumbo-jumbo happening in the crowd that’s not really accurate, but…

Ville: Like in the States. They are keen to sing along.

And the efforts got to be like, it’s got to feel really awesome.

Ville: I appreciate it. Definitely.

With your last album, Varjoina Kuljemme Kuolleiden Maassa, that was a huge success and it brought a lot more international attention, how was the development of that different than the new upcoming albums?

Mitja: Well. It was quicker. The development of Varjoina was actually…

Ville: …quicker? Still four years since the last full-length album.

Mitja: Well we had Tulimyrsky in between. But when we had the idea, the concept in mind, it just started taking off very fast and we came up with pretty much everything, like the musical concept, pretty fast. So it didn’t take that long to compose, compared to this time when we really are searching for the right way to go and right things to emphasise in the music.

Where do you think the bulk of the time goes during the process, is it the recording, the lyric writing, the composition?

Ville: Ah… getting the ideas together. The so-called ‘divine inspiration’ takes most of the time. When we actually have started working, like when we have a good basis for a song, it usually happens pretty fast.

Where do you find that you can kind of get that inspiration from?

Ville: Forest.

Mitja: The forest is good answer. Yeah.

Ville: I don’t know really, It just happens.

Mitja: And something that creative people usually have is that they don’t have to actually go, to the forest or anything. If you have a lot of imagination, then you get the inspiration from there. To be able to sing about the forest you don’t need to go there all the time to get the inspiration, it’s more of a metaphor.

Ville: And most of the inspiration is still just hard work. It’s quite irritating when big artists talk about inspiration in a way that it’s just something that happens to you and you just have to wait for it. It actually might never happen if you just keep waiting. You have to push yourself to work.

So your philosophy is more, reach out and take it than wait for it to come to you? It’s a good philosophy.

Mitja: Well I’m not very creative in Moonsorrow, I haven’t written a lot of stuff, and the stuff that I write for example is not very Moonsorrow. So I cannot talk so much about that, but I also notice that the more you create the more you will get inspired. And you start creating more, so…

Ville: It feeds itself.

The sound has definitely developed a lot, you’ve gone from melodic black metal to folkish black metal and it’s been developing and changing all the time. How is that kind of changed or continuing with this next album? Without giving too much away.

Ville: No, we still keep doing what feels right at the moment. And that’s probably why we have always, kind of “changed” our style, because we always did what we felt like doing at that very moment.

I mean, a phrase that gets tossed around a lot is Pagan metal. What does that mean to you guys?

Mitja: Well, the word ‘pagan’ that’s the answer. It’s a core of the band beliefs. None of us are very religious even in a way of being Pagan, but there is something like, the core of Paganism is nature for example and that’s also in our music. You don’t even have to read the lyrics and you will hear that the nature is the source of it in a way. At least, I feel like that.

It’s more about the way the music speaks and comes across and conveys that rather than it being about any sort of school of thought.

Ville: Uh, yeah and about how nature speaks to us, and we channel it to music.

It’s a good way to look at it. You have a lot of bands that are really obsessed with, well, one specific aspect of it and that can get kind of frustrating.

Mitja: Yeah, and when it comes to music we never want to find the perfect recipe of making Moonsorrow music, we always want to challenge ourselves and we kind of almost hate the previous albums, we always want to clean the table in a good way. I mean, we want to clean the table and do something completely different. Like for example, after Kivenkantaja we didn’t want anything to do with that kind of music and that’s how Verisäkeet came along because we turned our back on it completely.

Ville: That’s progression. We could always do the previous album twice. Because we already did it, we know how to do it again. But, it wouldn’t be fair to us or the fans.

Do you have anything that you’re working on now that kind of encompasses that, that you’re really excited and it’s a bigger change?

Ville: Hmmm.

Mitja: I don’t know.

Ville: Yeah, the material is still quite kind of spread across in my head. Really can’t grasp it just yet. Like what would be the focal point.

When you think about getting up there on stage and playing one of the new songs, what about it makes it so exciting for you?

Mitja: I think it’s just the joy of playing the new songs, or something we haven’t played before. It feels, I mean we played the other songs we played so many times for so many years, it’s really refreshing to have something new to play.

Ville: And it starts from the rehearsals actually. For example, I’m, I can be quite a lazy person. But when I get a new song, and I know that I have to practice it because we are going to play this live.

It lights the fire.

Ville: Yeah. Be it, whichever band I’ve played with, it’s always when I get some new material to rehearse, gives me a kick. Makes me feel useful again.

Do you have anything like that? That kind of lights the fire?

Mitja: Well I’m even lazier than Ville. I practice the songs the previous night. So, day before is my method. But yeah, it’s the same, I mean I really enjoy playing live. It’s, I would say, the most inspiring thing in my life is to play shows.

Why is that?

Mitja: First of all, touring is a lot of fun. You get to travel with your friends and you get to play your music for people, and when you enjoy playing shows and you enjoy travelling and so on it’s something that nothing can really replace in your life. It’s something that I thought just a couple of days ago, if I don’t play in a band anymore, what am I going to do in a way? Because you get used to having, getting sort of kicks out of playing shows and the adrenaline, all the funny times that you are having on tour and you can’t really do that at home. Breaking stuff!

You don’t have people shouting your names.

Ville: In just a normal job, you probably wouldn’t have that job for a long time.

No, maybe not. I would not think so, I guess the fans probably give back a lot too. Are there any specific countries that you just keep going back to to capture that? There’s a lot of talk about Brazil.

Mitja: Well we haven’t been to Brazil actually.

Is that a goal?

Mitja: Yeah.

Ville: We would definitely like to go there. Anywhere basically.

What are some other kind of untapped markets? You’ve been to Asia?

Mitja: We’ve been to China and Japan, but places like Thailand and Indonesia would be interesting and well, anywhere, I don’t really care where.

Anywhere you roam. Well the Finnish metal scene went through several years of this kind of fanaticism on the international scene stemming mostly from the Folk metal. How was that kind of impacted you guys personally? Do you think you owe any success to that?

Ville: It felt weird.

Why?

Ville: Weird knowing that you actually played a part in that. Our band actually played a part in that and it feels weird.

It’s going to be in the textbooks one day. In these music history books. How does that feel?

Mitja: Well, at there is a mark somewhere.

Ville: Yeah, exactly like sometime way back, people used to think that there is no point in life if you’re not mentioned after you’re dead.

Mitja: We have already been in a museum.

Ville: I’m kind of happy if I’m mentioned after I’m dead.

In a nice way.

Ville: Well actually, I won’t know because I won’t actually know because I don’t think I can be happy or not happy when I’m dead, but you know what I mean.

I gotcha.

Ville: I’m happy now knowing that I might be mentioned after I’m dead.

Mitja: You already are in a museum in Hungary.

Seriously?

Mitja: Yeah.

What did you do?

Mitja: In some, I don’t know, ethnographic museum of Budapest but there was a poster of Paganfest and it was about Finnish people and how people see Finland, and one of the things in the exhibition was…

Ville: How people see Finland… Hello! *waves*

Mitja: Korpiklaani and Moonsorrow in a poster.

Well, I mean, years ago when I first moved here, people thought that Finland was in Sweden to be very honest, I don’t know what that says about Americans. But now, people are like ‘Oh yeah!’

Ville: They think Sweden is in Finland? No? Ok.

I wish. No, nowadays people actually know some of the big bands, they’re like ‘Oh yeah, that’s where Korpiklaani is from, that’s where Moonsorrow is from.’ Kind of make me a little prouder, they’re educating themselves. One other thing I’ve been hearing a lot about was the release you guys did with Blood Music, vinyl box-set. How did that come about? That was a really strong response.

Mitja: Yeah, it was a long process.

Ville: Like two years or something?

MS: Yeah. I met the owner of the company and he was just starting the label when I met him and suddenly the whole label took off very fast. And they started releasing big records like this Strapping Young Lad box and I think that was the biggest so far and got a lot of attention. He started talking to me, ‘Hey, can we do a Moonsorrow boxset?’ and it was a great idea. And I never thought it was going to happen actually, because it was such a big project to put it all  together is hundreds and hundreds of hours. I don’t know, maybe thousands for this guy.

What’s the process like for that, converting audio to vinyl?

Mitja: The process is… well the audio is one thing, the other thing is all the cover art, all the details. Everything and DVD and like there are millions of factors.

Ville: Everything has to be made new.

I mean one of my friends told me that she had a friend who had a jar on her desk at work, and people were like donating money to that because she wanted it so bad. Did you hear any other stories like that? How does it feel to hear that?

Ville: It’s humbling. Seriously.

I guess it would be, that’s huge to hear somebody saves up.

Ville: I can understand why some people really wanted it so badly, because it is one of a kind thing.

What made you guys decide to do that.

Ville: And it’s like this big.

Yeah, I’ve seen it, it’s monstrous.

Ville: I need to get rid of some furniture if I get it home.

What did you get rid of?

Ville: I haven’t decided yet. I’m probably going to get it next week, so I have to be quick in my decision.

Did you get rid of any furniture?

Mitja: Um, yeah, but I emptied one of my terrariums so I could maybe put it there.

Ok, see that works. I don’t need a crib, I’ll just keep my Moonsorrow boxset there and the baby can sleep on top of it.

Mitja: Also very good.

Ville: There is one problem, you can’t put anything on top of vinyls. It really can’t serve as a chair or a table. Even if it’s a quite fitting size for that.

It has to be just like a sculpture in the home.

Ville: You can replace your TV with it. Just stare at it.

Ok, I’ll do that.

Ville: I don’t even have a TV to begin with so…

Well you’re going to get the vinyl.

Ville: Yeah, I can start staring at my vinyl collection.

Trippy. So we’ve heard that you guys are going to play your longest set ever tonight, so that’s going to be like… six songs?

Mitja: Six hours.

Ville: No no.

Are there any songs you had to kind of practice extra to remember? I mean your songs are so long, it seems like quite a challenge!

Ville: Everything came together really easily. I was really surprised when we got together at the rehearsal place and just started playing these songs we haven’t been playing for years. Everything just like…

Fell into place?

Ville: Yeah. There was a flow.

Mitja: But it’s a bad sign.

Ville: It’s a bad sign, yeah.

Uh-oh. Why?

Mitja: Because if everything is so easy in the rehearsals, you will forget something during the show. It’s the same as having soundcheck with a perfect sound. You know that when you go onstage again to play the show it’s going to be horrible.

I remember one soundcheck where it went so bad the guy couldn’t capture my violin or anything like that and then the show went perfectly. I don’t know.

Ville: Usually it happens that way.

Well you might trip on the way to the venue, it’s probably fine.

Mitja: From there.

That’s a lot of stairs!

Mitja: Yeah.

Well a fun question we always like to ask, what was the first band shirt you remember buying? For me it was David Lee Roth, and for Nikky it was definitely Pantera.

 

Ville: Hmmm. First. Could have been Amorphis.

How old were you?

Ville: Uh… when was Tales released? ’93?

Mitja: or ’94?

Ville: Thirteen or fourteen.

I was like four. What about you?

Mitja: Well, I don’t know if it counts I wanted to have a Beatles shirt when I was four. So that’s my first band shirt.

That counts. That’s a good one. So is there anything you’d like to share with our listeners?

Mitja: Should we?

Ville: Alcohol?

Mitja: No we don’t share alcohol.

Ville: No we don’t share alcohol.

Why can’t we share alcohol? I mean, I can’t but you guys can.

Ville: It’s too expensive in Finland.

Mitja: Yeah. In Germany we can share it.

And, Bourbon or Scotch?

Ville & Mitja: SCOTCH.

Dammit. She’s winning.

Mitja: I mean Bourbon only with Cokes but.

You don’t need Coke with Bourbon.

Mitja:That’s the only way I drink Bourbon.

*dejected* ok.

Ville & Mitja: I’m sorry. [unison]

Soundi.fi / September 2014

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Right before the show in Virgin Oil Co., Helsinki, which became the longest in their career (just over two hours). September 13th, 2014.

Moonsorrow lupaa harvinaisesta keikastaan: Itku pitkästä ilosta

Eeppisen (pakana)metallin suurnimi Moonsorrow soittaa erittäin harvinaisen Suomen-keikan Helsingin Virgin Oilissa lauantaina 13. syyskuuta. Virgin Oiliin oli myyty jo ennakkoon reilusti yli kuusisataa pilettiä, joten viiisikko pääsee esiintymään täyteen pakatussa ja taatusti kuumassa konserttisalissa.
Alkuillasta Virgin Oilissa on luvassa komediafestivaali Helsinki Comedy Festival 2014.
- No, meidän keikkamme aikana ei ole luvassa komediaa, ainakaan toivottavasti. Ennemminkin konsertti on osastoa "itku pitkästä ilosta", sanoo basistilaulaja Ville Sorvali.
Paikan päälle todellakin kannattaa mennä, sillä luvassa on ensi vuonna parikymppisiä juhlivan Moonsorrow'n historian pisin konsertti. Soundin suorittaman treenivisiitin perusteella muun muassa puolituntinen Tulimyrsky-jättiläinen saattaa hyvinkin löytyä helsinkiläisyhtyeen settilistasta.
- Sellainen parin tunnin veto siellä taitaa olla tiedossa, mutta eihän biisilistaan silti kovin monta numeroa mahdu. Yhdeksän tai kymmenen varmaankin, kosketinsoittaja Markus Eurén sanoo.
Entä se seuraava studioalbumi? Loistava Varjoina kuljemme kuolleiden maassa saapui meidän kuolevaisten keskuuteen vuonna 2011, joten hiljalleen tässä jo odotellaan...
- Erittäin kovia riffejä löytyy ja vähän valmiimpaakin tavaraa. Pääsisimmeköhän studioon ensi vuoden alkupuolella? No, eiköhän se pitkäsoitto ensi vuoden aikana ilmesty, vaikka sitten parikymppisten kunniaksi, rumpali Marko Tarvonen miettii.
Entä keikat? Loppuvuodeksi on ilmoitettu pari Japanin-konserttia ja ensi vuodelle norjalaisfestivaali. Mitä muuta on suunnitteilla?
- No, ainakin Suomen-keikkoja, mutta sen tarkempaa informaatiota ei ole juuri nyt luvassa. Mutta lupaamme aktivoitua jatkossa vahvemmin myös esiintymisareenoilla, Sorvali hymyilee.

Perkūno Namai / June 2014

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Metal Maniac / May 2014

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Greetings over there! Thank you very much for giving this opportunity to interview you! It has been years since I wanted to interview one of the members of a band that its releases really made my days. Please, I’d like to ask you to introduce yourself to our readers.

My name is Mitja Harvilahti, i play guitar in Moonsorrow.
I joined the band in the late 1999 after they had recorded the first album Suden Uni.
So basically i´ve been member during the years we´ve played live.

Well, first I’d like to ask you how everything is going with Moonsorrow as well as if you guys are already working on some new music after the release of the great album Varjoina kuljemme kuolleiden maassa in 2011.

We are quite busy right now, writing new material and also preparing for the release of our massive 14LP box set.

Writing the new album has already taken longer than we thought, but we can´t rush things and release something that doesen´t completely match what we are aiming for.

We have somewhat renewed our approach to our music on every album and we can´t make an exception this time either. But the stuff that we have now sounds really good! Unfortunately i don´t want to tell about the direction, style or themes yet. It´s too early to reveal.

Moonsorrow is about to release what’s being called “the largest metal box set in history”. I believe that any Moonsorrow fan is expecting with highly anticipation this, in my humble opinion, historic release. Please, what can you tell to our readers about this memorable edition?

It´s a work of 2 years already. And it´s humongous piece of work and a stunning release in every aspect.

I can honestly say that this limited box set is something that no one will be disappointed with.

We are releasing info of the content day by day, so while we make this interview we have announced the albums, and artwork and a DVD.

More info on the DVD will follow soon, but for me personally, the DVD is the gem of the extras. I´m sure people will enjoy it very much.

There are 4 different kinds of sets available.

The band goes against all the trends, releasing very long songs, singing in its native language (which, even though it’s a very hard language to learn, it does sound very well), not playing happy tunes and still managed to reach an impressive level of popularity in the metal world. To what would you credit this?

Hmmm… That’s an interesting question.
We were always epic band with long songs and non-commercial language.
But I think people have grown with our music and learned to adapt lengthy songs with us.
During the first 3 albums we had relatively medium length songs. Like on Voimasta Ja Kunniasta.
If we would have released something like V: Hävitetty as our debut, i don´t think the popularity now would be the same.
We also had a learning curve of how to write big pieces of music with complicated structures.
In the beginning we had some negative feedback about the choice of language, and how it cannot work abroad.
But in the same time it was clear that the biggest demand for us was abroad, so we have been confident with our choice of “no compromise”.
What comes to popularity in general, it seems that our music has touched some “nerve” in many people.

We always made music only for ourselves, and if you do it well and from your heart, there will be someone else who will like it as well.



Still on Moonsorrow’s sound, let us know what are the most important characteristics it as well as which elements must always be present on a Moonsorrow record? And what inspires the band when it comes to creating music?

Elements that will always stick with us are simply:
Black Metal, Traditional Scandinavian music, Progressive Rock, Nature.
Nature not only as sounds but as spirit that somehow can be heard through all the music.
It’s the pagan core of the band and the what makes us pagan metal band. You don´t need lyrics to tell that.
Inspirations can come from almost anywhere, but we tend to get very inspired when we come up with the theme for the album. Then the music starts flowing out from us, especially Henri, who write most of the music.

This is a question I often ask band members, but with Moonsorrow there’s a special meaning for me. Just when Voimasta ja kunniasta was released, it was a very hard period of my life, I was just accepted on one of the best universities of my country as well as in one of the hardest courses. Everything was meant to be perfect, but I had a change of mind, non-acceptance from friends and family, relationship problems, a work that opened my eyes to all injustices in the world. All of this led me to a deep depression. And at the time, I used to listen Voimasta ja kunniasta on repeat mode, always listening to Sankarihauta three times in a row. I was taken away from all my troubles, it really helped me to go through this phase. I had to listen to this album when driving back home in order to feel (actually) happier. And so I’m very thankful to the band. Well, how do you feel when people tell you that your music helped them the way they helped me, that some of them love it so much that they tattoo the band’s logo, that your music is part of their lives?

Thank you so much for your words.
It’s a very humbling experience.
I don’t think there is anything more important and big achievement for musician but to hear how the music that you’ve made or played means so much to someone that it helped him or her through hardships, even disease like cancer.
We all have an album that got us through difficult times, so it’s amazingly grateful feeling, but on the other hand
hard to comprehend that your band’s music has done the same to someone else.
Unlike record sales, big shows or screaming fans, hearing that won’t make you cocky, inflated-ego rockstar, but a very humble dude!

Back to Moonsorrow’s releases one more time, this is perhaps a usual question, but I wanted to ask you this in a more detailed way. How would rank Moonsorrow’s releases and why? Which would be your favorite song from all of Moonsorrow discography and is there anything you’d change if you had to concerning your participation on each album?

I can’t really rank them, since they all have an equally important role as a step towards the next one.
But if I would listen to any of our albums, I would say Verisäkeet is number one.
Actually it’s the only album that i would consider listening to right now.
That and Tulimyrsky!
My favourite song would be Pimeä or Tulimyrsky.
There are just minor things that I would change. Mainly mixing issues, some balance between instruments, and some stuff that should be more audible.
Like the fly that’s buzzing on Verisäkeet! It should be fucking LOUD! But Henri said no. He’s claiming that it’s there, but I don’t hear it.
That summarizes nicely the all mixing disputes we have. Something is too quiet and people complain, hehe.

Tell us some of your best and worst memories when it comes to music, it can be about a show you attended when you started listening to music, learning how to play an instrument, the recordings and tours with Moonsorrow or any other and that you were/ a member of.

Ehhhh… Now these are so many to tell!
So why not, i´ll tell as many as i can!

Best ones, well you know, the times when i found metal and all the different bands was very exciting naturally.
Hearing Guns n´Roses, Metallica and Slayer when i was around nine changed my world totally!
Before that i was into Thin Lizzy and few hard rock bands and stuff like The Beatles that I’ve been fan since i was 4 years old. The Beatles made me to grab guitar in the first place.
Around the age of thirteen i got into Morbid Angel and other Death Metal bands and then the whole world of extreme metal opened to me. Especially Black Metal in the early-mid 90´s.
Emperor and Enslaved made a big influence on me since the very first time i heard them.
Also some shows are really memorable. Like seeing Slayer, Metallica, Satyricon etc. for the first time. Perfect shows from the bands in their best days.


Touring… i could seriously write a book about all the crazy absurd experiences we´ve had.
So many places we´ve played and so many different countries that i never thought it would happen to us.
Usually the best shows are in cities or countries where we´ve played for the first time, but where there has been a demand for us for years already.
Those shows always have some special enthusiasm that you won´t find in a place that you´ve toured already for years.
To list a few, i would say first times in: Hungary, Russia, Canada, China, France, Spain and some shows in the USA have been just nuts! And surprisingly our home town Helsinki have been almost always really good for us.
Touring in general i find very enjoyable. I like the atmosphere when you travel with your friends in a bus through a continent, every day at a new place. Some people find it exhausting but i always felt like home in a tour bus. And it´s a very free atmosphere too. Not too many obligations, except of playing shows as well as you can.
On tours where we haven´t headlined, like American tours, we only do line check usually, so it gives a lot of time for sight seeing. Few times the tour felt just as much a vacation as a tour. But summer festivals for example are very hectic, and we usually only see airports, highways and hotels.
I usually try to find a way to get to see some nature on tours. For example in Australia we had some days off before the tour, so i went to an island off Brisbane to snorkel around and enjoy the Australian nature. After all the hectic traveling it really gives me strength to go to walk in the woods when possible. I find it always better to venture out somewhere instead of sitting in the bus, sipping beer for 4 weeks in a row. Which can be nice too!

Bad experiences? We have bunch of them as well. Nothing that harmed us too bad, but we’ve witnessed shootouts very close by and other not so nice activities. I don’t want to mention them here, since some of those fucktards might even read this interview, haha!
And what comes to music business we’ve been screwed couple times by festival promoters. We’ve been robbed also in Canada, where some junkie stole Janne’s guitar and all my belongings other than my instruments. Luckily we got the guitar back, but not my suit case with all my stuff. And many times things don’t go like you would have wanted, but that’s the nature of the “business”. You need to have a good sense of humor and lots of patience.
And it can be sis appointing when you’ve worked for something for a long time but then promotion etc. is just negligible in your opinion.

I’ve read that you also work as a cameraman, gaffer and a freelance photographer. Can you tell us a bit about this work? What led you into this type of work? And to anyone that would like to start on this business, what would be your main suggestions and tips?

At the high school that I was in, we had professional AVID video editing systems, so when I graduated I got a job at Helsinki University as video editor.
I studied TV and Cinema at couple of schools and started working as a cameraman and gaffer at the national broadcasting company. I also operate camera cranes do color correction and make nature footage. I have a nature series about reptiles in production.
I’ve done various kinds of promo photos and some fashion stuff and product photography as well. But I don’t find it natural for me to direct models for example. I feel like I’m violating their private zone, although it’s just me thinking that way. That’s why I find nature photography much more suitable for my personality! I enjoy nature and getting close to animals and i really like macro photography.
For anyone starting in the field of TV and cinema i can recommend to go to some school that have a long internship period in their curriculum, to get a good “hands on” -experience.



Connected to the previous question, what are your favorite cinematographers, photographers and movies? Are you familiar with the works of Sebastião Salgado, a social photographer? If not, I highly recommend his works for you. Still on this subject, I’ve watched some great Finnish movies, just to mention a few Äideistä parhain, Mies vailla menneisyytt, Tuntematon sotilas and Talvisota, just to name a few. Which other Finnish movies or director would you recommend to our readers?

Sebastião Salgado is one of my favourites!
His works are just amazing. I recently bought his landscape photography opus Genesis.
I like quite varying styles of photography but classic B/W photo has a place in my heart.
What comes to cinematography, i´m not a fanboy of cinematographers, but i respect those who have a good, sensitive eye to create the visual narrative of the story, instead of making everything a visually pumped and polished feast. Of the still active guys Emmanuel Lubezki, Rodrigo Prieto and especially Christopher Doyle´s work i really enjoy. Older masters like Sven Nykvist, Vittorio Storaro and Gianni di Venanzo are among my favourites as well.

Finnish cinema is usually not very popular outside our borders, but i think it will change. I recommend to keep an eye for a guy called Antti Heikki Pesonen. His feature film “Päin Seinää” will be released late this year. He has a great sense of black humor.

The usual question and perhaps also connected to the previous one, I would like to ask you to tell us some of your favorite activities outside music and touring. What are the things that you enjoy doing after a day of work or when you go back home after a tour?

Well i have quite many hobbies.
Photography we already talked about.
During the summer I can be found on my boat a lot of the time. I co-own an old 2 cabin wooden vessel with a friend of mine, and I really enjoy the sea, so living on the boat and traveling on it is a great activity for me. It’s like a summer cottage that you can sail away whenever you want.

I’ve always been very fascinated about reptiles, so i have different species of snakes at home.
I also travel a lot outside the band as well.
What else?
I’m trying to spend time in the nature as much as possible, but it’s not always working for me.
My family has a nice cabin in a national park, so I always try to find time to go there.

And so we reach this interview. I hope you have enjoyed answering as well as I wish the readers like this small conversation as well. One more time, thank you very much for this opportunity. Do you have any last words for our listeners?

Thanks for the interview it’s nice to answer some questions that are not so obvious!
I hope we will release our new album soon, so we can get on the road! We only have couple of summer festivals this year. Kilkim Zaibu in Lithuania and MetalDays in Slovenia, so I hope to see you there!

Metal Wani / January 2014

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INTERVIEW: MOONSORROW Singer - “We Have Always Liked To Challenge Ourselves And The Listeners And Not Go The Easiest Route”

In the deeply vaste lands of black and folk metal, Moonsorrow have flourished and thrived. From the cold wintery lands of Finland, the brainchild of the Sorvali cousins (Henri and Ville) have definitely made a name for themselves, not only amongst the Scandinavian Metal scene, but beyond. Singing in Finnish and labeling themselves “epic heathen metal”, Moonsorrow have six epic albums (as well as one EP) under their belt. The latest album, “Varjoina Kuljemme Kuolleiden Maassa” saw the light of day in 2011. Moonsorrow are, undoubtedly, one of the finest in the genre, distinguishing themselves by incorporating accordion, jaw harp and tin whistle in their songs. Their particular brand of epicness translates quite deftly into long and imposing monoliths of sound, as they draw their inspirations from black and folk metal, with a hint of progressive rock in between.

Metal Wani writer Vânia F. Silva recently caught up with vocalist, bassist and lyricist Ville Sorvali. During this interview, Ville discusses Moonsorrow's sound and lyrics in Finnish, commercial success and much more. Read the entire chat below –

Greetings from Metal Wani. Let me start by thanking you for taking the time to answer our questions. Since this is our first time with you guys, I would like to start with the basics. How did Moonsorrow came to existence?

Ville - Hello there! We started with Moonsorrow in 1995, so we've been around for quite a while now. In the beginning it was just me and my cousin Henri making some demos, but in 2000 we finally got a record deal and found a complete line-up for the band.

There’s an aspect of you guys that I find quite peculiar: The band’s name is the only thing about Moonsorrow that’s in English, since all your compositions are in Finnish. Don’t you find this a bit ironic?

Ville - When we started with the band, the lyrics were in English. When we started to write in Finnish (sometime around 1998), we simply didn't feel like changing the name anymore.

I’ve watched one of your interviews in which you adamantly stated that you will never write your own material in English. Why is this so?

Ville - Never again, to be precise (the first demo was indeed in English). When we started writing in Finnish, it immediately felt like the best solution for Moonsorrow. The Finnish language fits our themes just perfectly, and since it's my mother tongue it also gives me a complete freedom of expression as a lyric writer. It has also given a certain image to the band over the years, so changing back to English now would be a strange move indeed.

But wouldn’t writing in English increase your reach when it comes to fandom, or is this something you are not interested in?

Ville - We've made a name for ourselves by being what we are. Surely writing in English would make our material more accessible, but it could also potentially intimidate our original fanbase. While fame and fortune are nice things to have, of course, I'd never aim at them by making compromises.

You mostly write about paganism, folklore and war. However, in your most recent album, “Varjoina Kuljemme Kuolleiden Maassa”, you’ve dwelled into the end of the world. Are there any other lyrical themes you would like to experiment with?

Ville - In the early years we had this one thematical box we played in, and it was heavily based on stories about mythology and legends. After three albums I started to feel a bit trapped, so I  started to explore a bit outside of that box too. "The end of the world" -concept had always fascinated me, and I finally had the chance to dwell into it on "Viides Luku: Hävitetty" and even further on "Varjoina Kuljemme Kuolleiden Maassa". However, the next album is going to be something different again. Even I don't know much about it yet. ;)

Even though you had previously done long songs, “V: Hävitetty” was your first album to contain only two tracks, each of a very long duration. What moved you to do such a thing? How risky was it?

Ville - We just felt we needed to do it. Why? To prove ourselves that we can, I suppose. We have always liked to challenge ourselves and the listeners and not go the easiest route. We are constantly aware of the risks of "commercial suicide" but we don't really care.

Your sound has been changing throughout the years – Your demos were much more black metal than your debut, folk-metal, album “Suden Uni”. Then you steadily started shifting to the pretty much progressive heathen black metal you’re doing nowadays. Why the changes? Were you not satisfied with your sound, or did you just want to go back to your roots?

Ville - We don't like standing still, so we are always seeking to develop our sound. We are very much satisfied by all of our previous works, but we don't want to re-do any of them. Progressive rock and black metal might be the strongest connecting links between all the members of Moonsorrow, so elements of these two have naturally surfaced quite often on our albums.

Your artwork is also pretty different from album to album. I feel like you don’t exactly have a pattern, a distinctive and consistent style which you follow every time. How is your artwork decided each time?

Ville - We never sketch the cover art before we have most of the music and lyrics to show for (with the exception of "Suden Uni", both original and re-issue, for which suitable paintings already existed). It's our way to aim at conceptual integrity, and so the covers naturally turn out very different from each other. We have also intentionally used a different cover artist each time.

I must say that the Metallica and Merciless covers you did for the “Tulimyrsky” EP sound pretty impressive. Both of them are completely unexpected, but very Moonsorrow. What compelled you to cover these songs, despite these influences not being directly apparent in the sound that Moonsorrow has forged for itself?

Ville - When talking of the founding duo of Moonsorrow (me and Henri), Metallica and Merciless both had an important role in our musical upbringing. However, the choice of these two covers in particular was purely accidental. Henri made fitting Moonsorrow-style arrangements for both, Metallica just for the fun of it, and Merciless because we already recorded the Metallica cover and wanted to pair it with another. As the whole point of cover songs, in my opinion, is to sound more like the covering band than the original, I think both of these turned out pretty nice.

Can the fans expect more blackened versions of popular metal songs done by Moonsorrow in the future?

Ville - We have experimented on a few others, however we haven't managed to lay the same Moonsorrow-spirit on them as Metallica and Merciless got. We will only record something if it's truly worth recording, otherwise it's just for our own amusement at the rehearsal place.

It’s been an year since you’ve shifted labels and signed with Century Media. Instead of recording a new album, you went on to collaborate with Blood Music on a Box Set comprising of previous collected works of yours. Is there any kind of pressure for you to start working on a new album?

Ville - Indeed we have been signed to Century Media for quite a time already without doing a new album for them. However, they know us very well and they know that putting pressure on us doesn't help in creating new quality material. They will get their album eventually, and I have all the reason to believe that they will be happy with it. The box set was already discussed with Blood Music before any new record deal, it just took its time to take shape and is coincidentally happening now.

Last month you’ve toured Australia and by the end of this month you’ll besharing a stage with Rotting Christ in Tel-Aviv. These are pretty distinctive places – Are there any plans of going to another distinctive place such as India?

Ville - We've always liked to go to new places, so naturally we anticipated both trips (Australia and Israel) with a certain level of excitement. Basically we'd want to play anywhere where people want to see us play, but quite often it's not so simple, due to money, logistics or whatever. India would we a welcome trip as well, let's see if we can make it one day!

As a wrap-up, do you have any message you’d like to leave to your fans all around the world? Maybe to that one small-time band still in their basement, singing in their own language, dreaming of making it big?

Ville - Remember: music is for fun, recreation and therapy. Only a selected few will ever make it big, and it doesn't make the music made by others any less valuable. If you stay true to what you really want to create and refuse to compromise, you will feel proud of your work regardless of whether it sells records or not. And if you manage to sell those records and make a living out of it, consider yourself exceptionally lucky.

We would like to thank Ville for being available to respond to our enquiries, as well as for being so patient and kind! We wish him and the remaining members of Moonsorrow much fortune in all their future ventures and hope to write "Moonsorrow working on new album" soon enough.